Sunday, October 25, 2009

"does anyone in here get hit with INSIDE FEVER, so bad sometimes it's hard to move around?"

my last autumn in michigan has been so grey.

today I scrawled "epoch" on the cover of my most recent journal--brimming with false starts.


anyway, I wrote this on thursday. I'd call it formulaic existential fiction with a sci-fi backdrop. anyway, it's probably not done (*edit: definitely not done; read it again last night, needs much work), but enjoy...


“The Binary Dreamer”


The man sat alone on the examination table, fidgeting with the bracelet the receptionist had attached to his wrist when she called him to the window. He was middle-aged, short, flabby, balding, nondescript. A few days stubble clung unevenly to his face, suggesting crisis. A blue hospital gown was wound around his soft torso, the split in the back exposing his naked skin. A vent above him filled the small, sterile room with cold, sterile air. A counter littered with medical paraphernalia stood opposite the examination table. Medical charts adorned the wall. An odd, old-fashioned atmosphere reigned in this place, as it did an any medical building. It did little to comfort the man.

He looked up at the sound of the door handle turning. In walked the doctor, a tall, wide-shouldered man, with a hurried gait. The doctor greeted his patient with a firm handshake, which the man returned weakly. The man avoided eye contact with the doctor, a fact that he noted with distaste.

“Alright, let's get started shall we?” the doctor asked with a broad smile, “Do you have any questions about the procedure?”

The man hesitated, shifting his weight on the table. “Well, yeah, a couple...”

“By all means, ask. We realize that this is quite an unusual time and that the sheer idea of the procedure can seem, ah, overwhelming to some.” The doctor wore on his clean-shaven, angular face that practiced look of concern of which only those of a medical profession seem capable. The look suggested a serious depth of understanding and remorse, amplified by the doctor's almost comically thick glasses. The gaze directed at the man seemed to the him more than a little condescending.

“Um,” said the patient from atop the table, his pale legs kicking nervously out from beneath his gown. “Well, for starters, won't the procedure kill me?”

The Doctor was unable to stifle a laugh that sounded inappropriately jolly. “Why, yes and no. Did you not watch the bulletin?”

“Well, yeah, but...” The man scratched absentmindedly at his balding head.

“It is true that the procedure does induce biological death in our patients,” hastened the doctor, “Translating one's brain into a digital format is quite a—let's say exhausting—process for one's body to endure. However, you'll find that you no longer need it. After all, what is a body besides a primitive interface for one's brain? What is life anyway, besides the electrical signals inside of your skull? This procedure simplifies matters, and it is far is more efficient this way. Rather than taking up physical space, and using up our precious resources—oxygen especially—our citizens may now simply exist inside of one of our seven sister supercomputers, and use only a miniscule amount of electricity.”

“But biologically speaking, I'll be dead, right?”

The doctor took on a strained expression, as if it were painful for him to have to explain something so simple to such a dullard. “Well, yes, biologically speaking, you will be dead. Biological death is quite necessary at this point for all members of the lower classes to ensure that survival may continue for our brave leaders, the scientific council, as well as selected members of the upper class to go on living in order to try to solve the great problem: whether or not the human race can go on as biological entities once the Earth can no longer support us.”

At this the man scoffed.

“Come now, surely you're not suggesting that it is unfair that those members of society who have sacrificed so much should not be allowed the privilege of biological life? They bear a great burden for humanity and for science. They are choosing the lesser of the two means of existence in order to try and preserve that very same existence, flawed though it is.”

“Yeah, that or else they just want the Earth to themselves,” the patient mumbled indignantly.

The doctor ignored the comment. “Bear in mind that biological life has become a mere privilege, an unnecessary luxury; if one chooses to stubbornly think of an existence as flawed as a biological one as something favorable. Migration is nothing new,” he lectured, “As you know, the first migration took place over 23 years ago, and since then millions have made the leap. Before the bulletin 41% of our population already existed digitally. Hell, it's better that way, if you ask me. You have complete control over your own space, as well as your interface in Digital Eden. And the council awarded you, a—let's see—” he said, looking up, indicating that he was accessing the Web. “ah yes, a custodial servant, with a cosy 512 terabyte space, all for yourself. Don't forget, you'll also have access to DEden, as well as the Archives. You'll be able to see all of your friends and loved ones who have made the migration already. Now, doesn't that sound nice?”

The man looked unconvinced.

“How long have you been alive, now?” the doctor asked.

“83 years” the patient sighed.

“83 years, and look at your health. You've lead a full life have you not? Now is not the time to be thinking selfishly...”

The doctor noted the man's vacant expression and changed tactics.

“But then again... I can see that you've suffered, have you not?” The patient's blank stare ensued, filled the room like white noise. “You're tired. Tired of an imperfect existence. Life's too unpredictable on the outside, is it not? But inside,” tapping his temple, “you are in charge. You are empowered. And this is not the bronze ages of the Web. The system is utterly flawless. There are no crashes. Nothing unexpected happens. There is no labor. There is no pain. You simply live how you wish to live, with complete control over your surroundings, forever.”

The doctor pronounced the last word slowly, and with great deliberation, as if this final nuance of his argument should enlighten this dull creature to reason at last. The man looked up, furrowing his brow. “Yeah, but doesn't that make the whole thing pointless?”

“I beg your pardon?”

“What is the point of an endless existence inside of a computer?” the man asked, finally making eye contact with the doctor.

“My friend, I cannot answer such questions. I am a humble servant of medicine. Perhaps you should have spoken to an analyst if you have such questions, however, I fear it is too late for that.”

“Do I have any other options?” the man asked.

The doctor looked annoyed. “Well as I said before, biological death is mandatory for those of your class. For those who do not wish to join the digital migration, we are authorized to provide suicide pills,” he said gravely.

“Then I would like a suicide pill,” said the patient resolvedly.

The doctor became red in the face. “Why? What good will it do? You've been gifted by chance such a great and wonderful blessing. Your existence, your life—”

“—Is utterly meaningless if it does not end.”

“What are you talking about?” The doctor practically screamed, “Do not be a fool! Do you not see the opportunity you are being granted? We are standing upon the pinnacle of science! Do you realize how many in the ages before you would have given their whole lives in order to receive the offer you are being given? A perfect and infinite existence, something they could only dream of...”

“Have you ever heard about heaven?” the patient asked at last.

A sickened expression passed over the doctor's face. “Heaven,” he replied, “was a primitive belief. A byproduct of the religions that reigned before the council. A paradise, I believe. And how do you,” narrowing his magnified eyes, “know about heaven?”

“My father was a historian. He specialized in the times before the Age of Reason. He took his life shortly after the bulletin.”

“I am sorry to hear that, but I'm afraid I do not understand what a primitive belief has to do with the case at hand. Surely, you are not suggesting that there is an afterlife?”

“Of course not, but you see, you've... you've created heaven,” the patient said softly.

“Okay, to put it in primitive terms, perhaps we have created a 'heaven,' in a manner of speaking; so what?”

“Heaven,” explained the man, “The idea of a paradise, plagued humanity for millennia.”

“It is a widely accepted fact that all of religious thought did, but go on, explain yourself.”

“Well, have you heard of nihilism?”

The doctor admitted he had not.

“Nihilism was one of the schools of thought deemed 'obsolete' by the council. It is to deny or refuse life. Religions were considered nihilistic because by investing in an afterlife, people did not actually grasp the gravity of their lives. They were unable to see life for what it is.”

“Which is?”

“Which is meaningless.”

“Absurd!” cried the doctor with disgust.

“It is,” agreed the man solemnly. “It absolutely is, and therein lies the problem. Religions gave people a meaning, but blinded them to the reality of their existence. We do the same thing today with science, and for those who do not believe in science, we distract them endlessly with technology. Everyone is so busy living inside of the Web that they no longer notice the conditions of life in the reality they are actually living in.”

The doctor scoffed. “What outdated rhetoric! Why bother?” he asked, busying himself with cleaning his glasses against his white coat. “Why bother even considering this reality the reality in which you live?”

“A good question. My father argued that the day we implanted microchips into our brains, the day we plugged ourselves into the internet, is the day we became something less than human.”

At this the doctor rolled his eyes. He looked up and replaced his glasses disdainfully. “And let me guess, your father was one of those old radicals who refused the upgrade?”

“True: my father never had a microchip implanted in his brain.”

The doctor laughed bitterly, “That makes perfect sense. I now understand all of this trouble you've given me.” He reached for a white canister and a plastic cup, twisted off the seal of the canister, and tapped one large, blue pill into the cup. “Here you are,” extending the cup to the man, “here's your dose of 'meaning,' or whatever it is you think you're gaining by spitting in the face of science.”

“I wasn't finished,” said the patient quietly.

“Alright, go on,” urged the doctor sarcastically, leaning on the counter.

“I brought up heaven” continued the man patiently, “because, well, I always wished that it did exist.”

“You contradict yourself!” cried the doctor, throwing up his arms and catapulting the suicide pill into the air. He made no attempt to retrieve it, only continued to stare angrily at the vile, illogical man sitting before him on the examination table.

“I do,” said the man. “I realize that I do. But you still haven't heard me out. You see, I was always fascinated by the idea of heaven, I gave it much thought when I was younger. It was such an enticing escape from the harsh nature of reality. But how could we, as humans, go on forever? That was the flaw I detected. Who could have that kind of will, that kind of energy, to just go on existing, endlessly? Even in a perfect world, we would still suffer—”

“—Idiot!” the doctor interrupted, “Why do you waste my time?”

“Doctor, hear me out. I realized that we are only truly at peace when we are asleep. In dreaming, we can grasp the infinite.”

A look of realization slowly crept over the doctor's face. “Do you mean to say—”

The man nodded. “I also have not been upgraded.”

“I...I did not realize that there were any of your generation that did not...You...You do not dream lucidly? You dream outside of the internet?”

“I do.”

The doctor was dumbfounded. “Tell me, what is it like?”

“It is like nothing else,” replied the man.

The doctor's gaze slid to the spotless floor, where he caught sight of the blue capsule. Not knowing what to say, he bent over to pick it up. The man pushed himself off from the table clumsily, and grasped the doctor's arm. “There is no need,” he said.

The doctor looked puzzled.

“Would it be possible to scan my brain and set it to go on working in a passive state inside of a closed system—”

“—So that you'd be in a dreamlike state forever...” the doctor finished.

The man nodded.

“Well, why, I suppose it is possible, although I have never heard such an odd request.”

“Could you ask the technician for me?”

The doctor slowly nodded, something like understanding dawning behind his fishy eyes. He reached for the door handle, and walked briskly out of the room, leaving the man in the blue gown to himself.


Saturday, April 18, 2009

top 50 albums of all time! (20-1) & more

okay, so here they are. finally. nothing fancy. no descriptions. no images. just the picks.

#20 - animal collective: strawberry jam
#19 - colleen: the golden morning breaks
#18 - iron & wine: the creek drank the cradle
#17 - the mars volta: frances the mute
#16 - the shins: oh, inverted world
#15 - the beatles: magical mystery tour
#14 - radiohead: in rainbows
#13 - neil young: harvest
#12 - wolf parade: apologies to the queen mary
#11 - band of horses: everything all the time
#10 - fleet foxes: fleet foxes
#9 - pink floyd: wish you were here
#8 - led zeppelin: IV
#7 - do make say think: you, you're a tender history in rust
#6 - the mars volta: deloused in the comatorium
#5 - the beatles: the white album
#4 - radiohead: kid a
#3 - matt sweeney & bonnie "prince" billy: superwolf
#2 - modest mouse: this is a long drive for someone with nothing to think about
#1 - radiohead: hail to the thief

and my mind has already been changed. I've been listening to a lot of neil, and want to replace "harvest" with "chrome dreams," and push the former a little farther down. I still need to get "at the beach," among others.

the animal collective concert has corrupted my love for them slightly. what a sad realization it was that I was just too late. I had a sneaking suspicion that it might not be what I wanted it to be. the lowering of the merriweather banner only augmented the suspense and my growing sense of impending disappointment. and the too-short show confirmed it all. I was just too late. it was hands down the best electronica show I've ever seen and am ever likely to see. I just wish I didn't have to slap that label on there. it was so damn inorganic. deakin wasn't even there, so when they finally did play fireworks (you'd think by the swell in applause, that ceiling of noise that hit upon recognition, that they'd realize what it is their fans want), panda bear played live drums and so couldn't sing the backup part. it was an incomplete version with an unnecessary long electronica interlude between the bridge and final verses. I will say that brothersport, while still not exactly my cup of joe, did blow my mind.

and I already have tickets for caroline and I to see fleet foxes at the same venue. we were discussing this morning how at the very least, there's little chance they'll be as disappointing. they better not be if I'm missing the final closing campfire of the season to see them.

and also: do make say think have officially overtaken radiohead's three year reign as my favorite band. I've been sitting in front of my record player lately, guitar in hand, figuring out as many parts to songs off of "rust" as I can. it's been quite fun. I'm working on a two-man acoustic version of "a with living." I wish they were touring.

had I actually posted this when I wanted to I would've talked about being excited to listen to a lot of new music. I had recently acquired a new (to me) ipod, and had downloaded a whole ton of things to sample. but I'm about 90% sure said ipod was stolen a couple weeks ago out of my car. the fact that I've still not taken an opportunity to search my car one last time and close that final ten percent once and for all is not an indicator of my laziness, but should give you much insight as to what my life has been lately. the life of an added hand during OE at camp is quite insane. I've decided that I like the gig, and I think I'll be happy doing it next year, but I don't much care for how busy it gets in may. I've had a hard time, as I'm sure you've noticed maintaining a web presence. hell, I've been working on my actual presence. recovering from the last academic year. try to become a person again. de-etherealizing. something of the sort.

anyway, there've been lots of groups in camp, from montessori kids, schools with unusually high volumes of special needs kids, inner city schools, and even the school which I attended, and in between many rounds of disc golf. I can't say that I've been living to my full potential either. I've been busy, but there are still many things left undone. by this time last summer I'd already read a dozen books. I'm working toward excitement once more, but mostly, I'm just tired. there are a couple of things in the not-too-distant future providing a glimmering of hope. I feel that if I cannot grasp onto the coattails of such opportunities and let them fly me where they will, I will have failed once and for all. and it's purely mental. life's not about what happens to you, it's about how you react to it.

sorry, that all sounds depressing. I really am starting to cycle back into a more excited and ideal existence. good company is emerging. the company of creators. of dreamers. and I really am happy, I just want to be excited about my life again.

yesterday around 3 I realized that because of a cancellation, I wasn't on the schedule at all today. I had told caroline that I was coming down to spend most of my last week off before summer camp with her, but that I wouldn't be there until friday. I secretly asked for thursday night and all of friday off so that I could come down and surprise her, but it turned out that I got one more whole day to spend. the beautiful thing was that it was her birthday yesterday. I left the muskegon area around 7:30, and while I was driving down her friends took her out for dinner. when she arrived back at her apartment I was waiting. and so yes, I am quite happy. and I know that I'll be sad when I return to michigan, but that I'll also have patrick and chance. and a whole summer to start dreaming again.

so there you have my already obsolete top 50. I apologize again for the delay.

Tuesday, April 14, 2009

"love is a tired symphony you hum when you're awake..."

so for those of you awaiting my top 20, I'm sorry to disappoint. I think I should have 20-11 posted by tomorrow afternoon. I think. school's been kicking my ass lately, and sometimes I don't actually feel like talking about music. shocking, I know.

but yeah, much has happened that I've been meaning to blog about. and this stretch from thursday to sunday is precisely why school is currently killing me. but there's definitely a light at the end of the tunnel. my customary "to kill a semester" list is taped to the wall. then I just have a few finals. then moving out. if I had to guess, I'd say I'll probably be able to breathe again by friday the 24th.

so thursday. thursday was one of the best days I've had in allendale, michigan in a long time. I woke up and picked up my guitar, the freshly-changed strings having barely settled enough to stay mostly in tune. I proceeded to tune my guitar in the strangest tuning I could imagine, and then write a song for my eastern philosophy class. I was so thrown off by my tuning that there was no way I could over-think what I was playing. I could only listen and feel.

so I went to my first two classes, performed said song in one, and then, my third class being cancelled, I met up with tomac, anthony and kate, we ended up in lower kirkhof getting food. I wasn't hungry so I played my still detuned guitar. eventually tomac began drumming with his chopsticks on his sushi container and cup. and singing along to certain passages. and so I sang too. it was mostly improvisation, or me borrowing things from what I'd made up that morning, but a good 20 minute jam flowed out. and I was happy.

so tomac and I ended up in the ravines, trekking toward the bridge. and that's when a bird pooped on my head. and we just laughed. that's what kind of a day it was.

following my ravine adventure I went home and made pasta, and was just about to catch a nap when sean called and announced that he was nearby and wanted me to accompany him on his quest to find job applications. I figured I had been saying yes all day, so why not? he even bought me dairy queen.

then we went to the library to get doulette, who was supposed to be there until 11 or something ungodly. but upon seeing us, he decided to tag along. and so we ended up at the hookah lounge, which doulette has perceived as something of a hub lately. there've been some interesting intersections there, both social and... man, metaphysical? it sounds strange, but it's true.

so I passed out on sean's couch, woke up in time to show up to class a little late, and then that afternoon, we took of for chicago. the drive down was characteristic of any drive I've been fortunate enough to embark on down west michigan to the chi: sprawling farmlands, good music (lots of post-rock), and an undeniable excited energy.

that night we ended up at another hub, chuck's birthday celebration, where I was fortunate enough to encounter many of my friends associated with the chicago-area. so many intersections. completely exhausted, walking back to caroline's apartment, all I could do was marvel at the birds singing at three in the morning.

and saturday we shopped. kind of. sunday I drove us home. and experienced a calm that was unlike anything I've felt in a long time.

but for now, I've got to start chipping away at that aforementioned list...

Wednesday, April 8, 2009

"I wear a coat of feelings and they are loud!"

as the tagline indicates, I'm listening to feels (and there's actually a good reason for this, although it's unrelated to this post), however, I would like to quote explosions in the sky and say that all of a sudden I miss everybody.

a phonecall from patrick.

an email from ryan.

a postcard from perugia from kalin.

and a photo album by kate.

it's getting to be about that time. my mind seems to be wandering into next weekend in chicago, or to patrick and I's list of things to accomplish this summer, or the potential roadtrip to nyc with danae, or twilit tdock conversations, or camping with caroline in august, or my general list of life goals. the summer mindset. xiao yao you.

top 50 albums of all time! (30-21)

yup. yup. yup.

#30 - smashing pumpkins: siamese dream
I could kill myself. sometime in high-school I passed up an opportunity to buy this on vinyl. I can take the pumpkins or leave them for the most part, but this album has always been my favorite. pumpkins fans may accuse me of being too into their singles, and maybe that's true, but there's more to it than that. every single time I hear siamese dream I'm immediately taken back to sheribeck street, to hardie's mom's place, our perpetual hangout back in the day. maybe that's why this album feels so bittersweet to me. or maybe it's just a bittersweet kinda guy. sure, billy corgan's an ass, but I will stick up for this one.

#29 - the jimi hendrix experience: electric ladyland
no, I didn't pick this one just because it has "all along the watchtower" on it, though that song is obviously phenomenal. the first two tracks provide such an amazing intro to such a lengthy album (similar to one of yesterday's picks...). for a period of my life, I felt that "crosstown traffic" was my theme song. and "voodoo chile" is hands-down the best electric blues I've ever heard. it puts "the lemon song" to shame. and I love that song. this one's a journey. one worth embarking on every so often.

#28 - interpol: our love to admire
I recently asked my buddy mikhail what he thought of these guys. 'they're certainly not original' was his response. my reply: 'no, but they're a hell of a lot better than joy division.' sorry. I said it. from the first time I heard that ominous opening riff I was hooked. "show me the dirtpile and I will pray that soul will take three stowaways." 'okay,' thought I, 'now I'm creeped out...' and for those of you who know me well, you know that I have a strange and intense love for all things creepy. this album's always done it for me more than the others, and I think it's the atmosphere created by adding keyboards, something they should've done a while ago. I like their other releases, they're just too simple for me. and there are some passages in this one, like the "so young" one in "rest my chemistry," and the "seven ancient pawnshops" one in "mammoth" that just get me every time. by "wrecking ball," I'm practically bowing down. occasionally wonky lyrics are the only thing that drags this one down. but it's still among my favorites.

#27 - devendra banhart: rejoicing in the hands
I love folk. I love the psychedelic sound. so I took to devendra immediately. another album that reminds me of hardie. laying around when he was house-sitting for bob a couple winters past, this pouring out of speakers almost constantly. that was the break when he banned me from playing "chrome dreams" in his car. I knew "this beard is for siobhan" was going to be one of my favorite songs the first time I heard it. but now I can't decide whether that one, "a sight to behold," "fall," todo los dolores," or "insect eyes" is my favorite on the album. and I gotta give any album that sends me back and forth between five songs in selecting a favorite props.

#26 - the beatles: abbey road
when hardie moved to portland he let me rummage through his record collection to borrow some essentials until such a time he could return for his babies. this was among the ones borrowed that day. and it's really sad, in a way. I hope they get back to him soon enough. but in the meantime, it's certainly nice to have a copy of abbey road. I honestly don't even know what to say about this one. everyone should have already listened to it thousands of times before. "I want you" is phenomenal. as is "come together." the second side is ridiculous. and paul, george, and john trading off guitar solos in "the end?" brilliant.

#25 - neutral milk hotel: in the aeroplane over the sea
I knew whatever followed abbey road was going to have to be a strong pick. can you really argue with this one? maybe you're wondering why these aren't higher up? I don't know, man. it's not about what I think is best, it's about what I like the most. so, an indie band actually writes something so pretentious as a concept album, and it becomes iconic? that's because it's hard to imagine how this could have been executed better. not only did this album create that circus-indie sound, a sound no other band has managed to top, not only did jeff mangum manage to write the entire thing with chords any guitarist learns within a month on playing, not only that, but the lyrics are among the best I've ever heard. ever. it's all just abstract enough to flow. like any good concept album, it causes their fans to construct odd, crackpot theories about the album (see: the mars volta). and the bizarre, sexual imagery is again, perfectly executed. my only gripe (the opposite of what I'd once heard my friend chuck say) is that I really don't care for the instrumentals. yeah.

#24 - modest mouse: baron von bullshit rides again
the only live pick. probably due to the fact that I never got "neil young: live at massey hall." I came to the realization recently that I like every single song on this album, with the exception of "doin' the cockroach" better than their studio counterparts. sometimes I just hated the things they did in the studio. that annoying-ass woodblock in "wild pack of family dogs." issac brock's voice in "never ending math equation." these songs just seem to translate well in a live setting. and the little jams that they add in are really good too. which surprises me actually. who'd have thought that modest mouse could jam? anyway, if you've never picked this one up, do yourself a favor, wait until summer, grab a copy, put it in your car, roll the windows down and just drive.

#23 - thom yorke: the eraser
I'm very skeptical of electronic music. I hate when music feels "inorganic." I hate when people with no talent can just string shit together and call it music. I hate drum machines. unless I'm drunk. I would just say that I hate electronic music, but there are artists like this guy whose approach to electronic music is just amazing. I've always been glad he did this album. I love those strange stuttering chords in "the eraser," the vocal melody of "atoms for peace," the chorus of "the swan," the lyrics of "skip divided," and how, as my friend anthony pointed out to me one night, he slips "there were ten in the bed and the little one said roll over" in as the last lyrics of the album. betcha didn't notice that one.

#22 - iron & wine: our endless numbered days
if the whole point of this endeavor was to come up with which albums I think are the most beautiful, this would be in the top 10. I think what I like about this one is that sam beam proves he's not a one trick pony. between the pretty, whisper-soft folk tunes, he has some twangier ones as well. I've always appreciated that he changes it up somewhat. and the final stretch is phenomenal. I can think of only a few albums that top it. one final observation I'd like to make is that his lyrics are insanely good. I've overlooked some of them at times, but seriously, read along with "passing afternoon" next time you hear it.

#21 - yes: close to the edge
damn. another album that is impossible for me to disassociate with hardie. I have many a good memory of us playing this one. I love the guitar work in "close to the edge." and that organ solo? I can't really think of many better ones, but maybe that's just because I can't think of many organ solos ("caring is creepy?"). the intro to "and you and I" always makes me want to run out and get a 12 string. and for some reason I've always loved the "some creature nailed upon the colored door of time" line. as far as old-school prog goes, this album's always been the shining golden ideal.

Tuesday, April 7, 2009

top 50 albums of all time! (40-31)

okay, so here's the second installment:

#40 - taking back sunday: tell all your friends
you were fooling yourself if you thought this wasn't going to be on here. as long as girls remain the frustrating, central focus of my existence, I will love this album. I must have burned dozens of copies for people in high-school. I honestly don't know exactly what it was. maybe something about the mix, the layered vocals, the lyrics, but something about this album grabbed a hold of my broken little teenage heart. and the thing is, I can still totally listen to it. remember "he's smoked out in the back of the van, says he's held up with holding on and on and on and on and on?" remember "you've got me right where you want me?" "is this turning you on, am I turning you on?" "this is me with the words on the tip of my tongue?" "don't call my name out your window I'm leaving?!" seriously?! a johnny cash reference? if you ask me, that's pretty classy for an emo band. I will only defend tbs with john nolan, as he was the great lyricist behind tayf, and his voice blended perfectly with adam lazzara's. it's too bad they didn't quit while they were ahead. see: story of every emo band ever.

#39 - ambulance ltd: ambulance ltd
fuck postal service, if anyone in the indie community needs to release another album already, it's these guys. "stay where you are" is still one of my favorite songs ever. the little post-rock backwards intro leading up to those shoegazey first chords. and the other spacey guitar track. the breakdown: "don't hold on, don't let go, don't aim high, don't aim low." it gets me every time. and there are many more good tracks to be found. apparently they underwent a lineup change and have toured a little out west, where they're writing new material. here's to hoping...

#38 - outkast: speakerboxx/the love below
I will admit: this is the only hip-hop album on my top 50. and that's my fault. I thought about "be," but I always find it too inconsistent. I thought about "low end theory," but I never listened to it enough. but this. I've listened the hell out of this. I have to admit that I favor andre's lp quite a bit more. not that's big boi's contribution isn't good. I think of it as a freebie. I just love how jazzy and funky dre gets. who doesn't love "love hater?" the drums in "spread" still blow me away. and regardless of radio play, I still love every single single. even if "roses" did ruin my girlfriend's life in high-school.

#37 - animal collective: feels
for some, feels represents animal collective at their best. and I respect that opinion. my friends at gv and I recently got a kick out of playing "banshee beat" in a crowded hookah lounge. I thought of all the looks of "wtf?" as a small act of revenge on west michigan. I honestly still have no idea what avey's saying at the end of "did you see the words?" I haven't gotten past wondering how the hell he made up that vocal melody. come to think of it, I don't know very many of the lyrics to this album at all. and I think that acceptable. I appreciate the vocals being turned down on the mix. maybe it's just because I'm not a singer, but I've always liked it when bands tried to de-emphasize the vocals. I think that when they want to be, they're understood. like in the whole "would you like to see me often?" sequence of grass. I still think that "daffy duck" is my favorite on the album. "volcano boots" indeed.

#36 - nick drake: five leaves left
upon completing this list, I found some odd disparities. I wonder why nick drake, perhaps my favorite folk artist of all time, is so low on my list. I think the "way to blue" introduction is to blame. I certainly couldn't include that: it's not an album. but this is definitely my favorite out of his releases. I still can't decide if "river man" or "cello song" is my favorite folk song of all time. river man always takes me back to hesse's "siddhartha," and I can't help but marvel at the picking pattern, and obviously the cello in "cello song." it's so strange to me that "fruit tree" was on this, his first album. it's so eerie, it gives me goosebumps every time.

#35 - simon & garfunkel: bookends
a while back, my good friend ryan gave me an extra copy of this record and saved me finally from the confines of the "greatest hits" album. this is now one of my quintessential morning albums. it's weird, but I like "save the life of my child." I just don't think that a song like that could be made anymore. I will admit that I sometimes skip "old friends," but "america" more than makes up for that. add in "mrs. robinson" and I've completely forgiven them. and I honestly don't know what the hell it is about "at the zoo," but I feel this childlike joy every single time I listen to it. which is sometimes multiple times in a row. and what a good thing that is.

#34 - daft punk: discovery
I wish I could go back in time and give myself some cds. be like "okay kid, stop listening to that shitty pop-punk and listen to this!" this would certainly be one of those. in some respects I think that's what big brothers are for. and yet, my little sister seems to think I have the worst taste in music in the world. go figure. the first four songs on this cd are mind-blowing. and I just gotta love them for interstella 5555, even if it is kind of cheesy. ever since I went back and listened to "harder better faster stronger" I have been of the opinion that it contains the best guitar solo of all time. sicker than "stairway." yeah. the ironic thing being that most people don't understand talk box and that there's actually a guitar being played. oh well.

#33 - do make say think: & yet & yet
this album flows so insanely well. I honestly have a hard time telling some of the songs apart, but not in a bad way at all. if one can resist the urge to fall asleep to this one and let it take them where it will in dreams, they'll find some really beautiful music. "classic noodlanding" is as solid an opener as one could ask for in a post-rock album. in post-rock I find that the opener's really key, as it needs to draw the listener in if they're going to agree to listen to an entire album with no vocals. well, I guess there are vocals on "soul and onward," but they're just background noise. and really cool sounding.

#32 - miles davis: kind of blue
my only jazz pick. again, my bad. I've always wanted to get into jazz. this seemed a great starting place. I still haven't been able to move past the foyer, so to speak. I just love reading about how this album was made. it is so fascinating to me. I love every single song on this album, but again, as I don't know really anything about jazz, I'm going to have to just say, if somehow you haven't heard it, do.

#31 - the strokes: room on fire
maybe this is controversial. it really shouldn't be. I'm not ashamed of loving the strokes. not in the slightest. this is one of the first good albums that started to get me out of my emo phase. thank god for that. but seriously, the guitar tone on this album kills me. it's insane. the lead in the chorus of "the end has no end" is probably the purest sound I've heard a guitar make this side of kid a. the difference being that with the strokes, it's obviously a guitar. and I find it admirable that the strokes got away with so many solos in an era that hated guitar solos. probably because they were do damn good, every single one of them. but maybe you think "is this it?" should be here instead. I honestly don't know. that one's really good too. I'm indecisive.

Monday, April 6, 2009

top 50 albums of all time! (41-50)

okay, so as promised, I'll be listing my 50 favorite albums of all time this week. it was not an easy thing to try and assemble, but I finally did finish ranking them last night. I feel I should say a couple of things about this whole endeavor before I begin. first of all, this isn't meant to be taken very seriously. a friend of mine, adam doulette, recently asked me what my top ten albums of all time were, and I felt that I needed to compile at least my top twenty-five to figure that out. but I had a hard time narrowing it down, as I knew I would. so I chose fifty. and even that wasn't easy. I tried to allow a max of three albums per artist so that my picks wouldn't be dominated by radiohead and the beatles. the result is fifty albums by forty artists. I also want to say that I don't consider myself to be an expert in music, I'm just doing this for fun. feel free to disagree with me. but most of all, enjoy.

#50 - brand new: your favorite weapon
it is impossible for me to listen to this album without thinking about high-school theatre. bonebrake and I always had this shit playing in the dressing room. the level of angst was sufficient to fuel our on and off-stage antics at such a time when the only music that motivated us was either wonky or angsty. who could forget a line like "so have another drink and drive yourself home/I hope there's ice on all the roads/so you can think of my when you forget your seatbelt/and again when your head goes through the windshield?" I won't lie to you and say that I don't enjoy brand new's other albums. although neither of them have a spot on my top 50, they've both gotten me through some hard times. as a final remark, I would just like to say that no-one who dug this album can hear the final, sneering "you're just jealous 'cause we're young and in love"s of this album and not think about their senior years of high-school, and wanting to "stay eighteen forever." and then smile a little.

#49 - godspeed you! black emperor: f#a#infinity
larsen and I have this practical joke we play on each other. when the other least expects it, we'll spring the first song of this album on the other. sitting in the driver seat, the other fiddling with the ipod, it will dawn on the driver in the pregnant silence what is to come, and upon hearing "the car's on fire," we'll both burst out laughing. I love the sparse, apocalyptic instrumentals interspersed with strange soundbytes from bits of poetry(?), to a street performer, to a shortwave radio broadcast, to a disquieting supermarket announcement. that's what you get when you listen to godspeed. for me, this album was always them at their best. "you grabbed my hand and we fell into it. like a daydream. or a fever."

#48 - bright eyes: I'm wide awake, it's morning
I can't listen to "train under water" without smiling. I can't hear "lua" without thinking (with some embarrassment) about high-school talent shows. I gotta give conor props for the lyrics in "at the bottom of everything." despite having grown out of bright eyes, I still bought this on vinyl years later because I simply had to own it. this was their first, and best attempt, at sounding folky in that nashville way, and I'm glad they did try to change their sound. some have criticized the endeavor as being less-than genuine. in response to that, I say "he got emmy-lou harris, man! emmy-lou fuckin' harris! and you're going to tell me it's not genuine?"

#47 - clap your hands say yeah: clap your hands say yeah
when the snow all melts away, and sun starts peeking out from behind winter clouds, this is always one of the first albums I reach for. I love every minute of it, from the creepshow circus intro "clap your hands," to the stupidly simple "skin of my yellow country teeth," to the at-the-time iconic indie jam "upon this tidal wave of young blood?" seriously, who doesn't love that song? I think that this album is a lesson in the k.i.s.s. principle. simplicity + eccentricity = one kick-ass indie album. this one also holds a special place in my heart as it always reminds me of spring break shenanigans had with danae and brad back in high-school when we were some of the only kids left in the skee. so yes, I associate this record with the film, atl. weird, I know.

#46 - explosions in the sky - all of a sudden I miss everyone
I'm going to be honest. I haven't listened to this one nearly enough from start to finish for it to be on my top 50. but it is. it would likely be higher up on the list if I did give it a listen more often. I like it a lot, don't get me wrong. the problem is, I have to listen to certain albums at specific times. for me, this is a nighttime driving album. and I haven't been driving since the end of last summer. and at the end of last summer, I still didn't have a copy of this. I have found a second-best time to spin this one. and that's the "hanging-out-with-buddies-with-weird-taste-in-music-like-you-getting-blown-out-at-night" scenario. and still very specific. fear not, eits, your day is dawning...

#45 - the pixies: doolittle
my former roommate, anthony, got me into the pixies, he being a sensible fellow apt not inclined to forget the music of the past. needless to say, I sat through many a talking heads album. my response was always, "hmm..." but I digress. when I moved out of the townhouse tony and I shared with a muscle-bound serbian last year, I was left without this album. and I was pissed. I finally did pick it up, and my god, it's just so good. what else can I say about it? "monkey gone to heaven?" "hey?" seriously? it's so easy to see how without the oft-overlooked pixies we'd never have had nirvana. or modest mouse. and that, my friends, would be a sad thing indeed.

#44 - weezer: blue album
I'm not going to pretend that I was ever a huge weezer fan, but that's the brilliant thing about this album; play it for someone whose attitude toward weezer is "I dunno man..." and they will discover that they love almost every single song on this album. but, out of respect for all of my friends who had the weezer "W" scribbled on their trapper-keepers in the seventh grade, I'll just leave this one alone...

# 43 - modest mouse: the lonesome crowded west
I've always been of the opinion that this is a very good, but deeply flawed, sophomore album. I simply have never understood how the listener is expected to be thrust from "teeth like god's shoeshine" to "heart cooks brain." or worse, the "cowboy dan/trailer trash" stretch sandwiched, again between two mostly upbeat songs. by the time "bankrupt on selling" rolls around, I'm frustrated by the complete lack of flow. it's emotionally taxing to be tossed between ballads and quirky indie jams so many times. don't get me wrong, I love every single song on this album (okay, except for "jesus christ was an only child"), but I could seriously strangle whoever chose to arrange the tracks.

#42 - pink floyd: animals
I couldn't decide between this one or dark side of the moon. I chose this one because I feel that it's a better representation of good classic rock, whereas dark side experiments with the "what is music?" question a little much for my taste. it's a bit overdone. but seriously, animals: a concept album borrowing orwelian motifs (do yourself a favor and go back and read animal farm. you'll find that it's excellent.) to criticize capitalism. despite this not being my favorite floyd album, I've found that the little dual-guitar jam in "dogs" is my favorite pink floyd guitar work. sure the lyrics are flawed, but that comes with the territory. you may find the talkbox solo in "pigs" to be too much, but I like it.

#41 - vampire weekend: vampire weekend
if fitzgerald's "this side of paradise" were remade into a modern movie, it would be about east-coast hipsters. and this would be the soundtrack. much like the aforementioned talkbox solo, I have friends who cannot stand the chorus of "one." but hey man, I dig it. I would consider this album a bit of a "dipper" in that it starts and finishes strong, but falters a bit in the middle. regardless, there are a good five or six songs from this one that I really enjoy a lot, and while I can take or leave some of the others, in the context of the record they're really solid. besides, how can you even tell me that you don't love an indie rock band quoting lil jon?
hilarious.